Superior top quality Monster Headphones
will carry you remarkable feeling so you can have confidence in that our monster beats will make you be the main focus. For those who possess beats, additionally you need fantastic handbags. How about Alexander Wang Bags
and Tory Burch Sale
. Both of these brands are great ample for us. You all know Cheap Coach Handbags
is a popular model, and if you want to invest in footwear, we are able to exhibit you Christian Louboutin Outlet
, you are going to be fond of them. We can tell you that you could believe that we could show you perfecg merchandise. Should you skip this chance, you'll regret.
Site logo

All the Creative COW Podcasts on One Page


Just wanted to let you know that you can now find all the
Creative COW podcasts on one page. I am a co-host on several shows.

  • DSLR Essentials
  • Photoshop for Video
  • Adobe Premiere Pro
  • Adobe After Effects
  • Final Cut Help

There are HOURS of free video training here.... plus several other topics. Be sure to check out the
page. Most shows are available in both HD and SD versions.


Shooting DSLR Video Precon Returns to Photoshop World

You can sign up here –

How to Not Screw Up Your DSLR Memory Cards in the Field

I had a revelation today on how to handle my memory cards while shooting in the field. You see when shooting DSLR video, I can burn through a lot of cards. Plus I typically have a couple of camera angles going off at once. An easy mistake to make (but deadly nonetheless) is reformatting a card that you've already shot to. So here's my surefire plan to keep things straight.

  • Right Pocket – The right pocket contains all of my empty cards that I wiped before the shoot. All cards are erased before you get on-set so you know if you put the card in and it has something on it, then that's footage that needs to be backed up.
  • Left Pocket – The left pocket contains all of the cards that have been filled up while shooting.

You're probably saying.... "Ummm... what's the big deal?" Well here's the killer memory jingle to not screw things up.

"The Cards in my
RIGHT pocket are the RIGHT ones to use.... The Cards in my LEFT pocket should be LEFT alone."

Okay... I won't win a Pulitzer for that... but hopefully it'll keep me from accidentally screwing things up when shooting.

For more on the fusion of photography and video, check out From Still to Motion.


How to Calibrate DSLR Video Cameras

Oftentimes you'll find yourself using more than one camera body while shooting footage. This may be to get an extra angle or to avoid having to change lenses in the field. The closer your camera settings the match, the more seamless it will appear when you edit the different footage together. Ideally the acquired footage will match as closely as possible. This means that you to adjust both the aesthetic and technical properties.

Aesthetic Matching

Look inside the camera and check your menu settings. You'll typically find several options that will aesthetic properties of the footage. Ideally, you'll closely match these settings across multiple cameras:
  • Color settings – Use the same color space for each camera if it's a choice.
  • Picture Style – Many cameras offer different modes that stylize the footage. We recommend shooting flat and adjusting your color with Adobe Premiere Pro or After Effects after the shoot for greater flexibility.
  • Shutter speed – Your shutter speed should typically be 1/60 if shooting 30 fps or 1/50 if shooting 24 fps. You can alter this number for different looks, but be sure the cameras all match.

Technical Matching

You’ll also want to check several technical properties for each camera. Be sure to identically match the following properties across each camera:
  • Frame size – Your frame sizes must match. Be sure that you aren’t mixing 720p with 1080p.
  • Frame rate – All your cameras must match frame rate (exactly). Be sure to check that you have a precise match. Make sure the firmware of your cameras is also up to date.
  • Color calibration – Be sure that all angles color calibrate at the same time, on the same subject, under identical lighting conditions. Otherwise, you’ll have a lot more postproduction work.

For more on the fusion of photography and video, check out From Still to Motion.


DSLR Video: You're Not Shooting Raw, So Watch those Highlights

Most professional photographers have grown accustomed to the flexibility that shooting with a raw format provides. When coupled with the great control of the Adobe Camera Raw plug-in, they have great control over highlights and shadows as well as the ability to recover exposure problems.

Unfortunately, your DSLR won’t shoot raw when it’s set to video mode. This means its like the old days (note we didn't say good old days) when you had to shoot JPEG. You’ll need to dig back into your past experience (be it film or JPEG) and retrieve the knowledge needed to help you make important decisions during acquisition.

When shooting outdoors, the use of a LCD viewfinder is highly recommended. These devices make it much easier to see a display as well as judge the quality of exposure. By removing all light pollution, you can make accurate decisions.

Just because you’re working with a movie file doesn’t mean all future options are limited. During postproduction, you can further enhance your footage. The first pass is color correction, which addresses issues with color and tone. Optionally, a color-grading pass can also be done to further improve the images with stylized adjustments that affect the mood and tone of the footage and thus develop the story.

For more on the fusion of photography and video, check out From Still to Motion.


Lens Correction for DSLR Video

The Lens Correction filter in Photoshop is an easy way to fix common flaws in an image (such as barrel distortion, lens vignettes, and chromatic aberration). Usually the filter is run on 8 or 16 bits per channel still images. However it can also be run on DSLR video clips.

The filter can also correct perspective problems caused by camera tilt. It also automatically looks up lens information from an online database.

  1. Open a video file using Photoshop Extended.
  2. Choose Filter > Convert for Smart Filters to ensure flexibility in editing.
  3. Choose Filter > Lens Correction.
  4. A new window opens. Look in the bottom-left corner for information about the camera and lens used for the shot. (This comes with the metadata the camera wrote to the original file.) If you’re using a movie file, this info may be missing. It's a good idea to also shoot a still image on set to capture important metadata for your video clips.
  5. Click the Show Grid check box to make it easier to see perspective issues.
  6. Choose a manufacturer from the Camera Make menu.
  7. From the Camera Model menu, choose the correct camera model.
  8. From the Lens Model menu, choose the correct lens.
  9. From the Auto Correction tab, check the Geometric Distortion, Chromatic Aberration, Vignette, and Auto Scale Image check boxes.
  10. Switch to the Custom tab for advanced controls. Use the Vertical Perspective and the Horizontal Perspective to compensate for keystoning or angled shots. Adjust the Vignette Amount to further brighten or darken the edges.
  11. Click OK to apply the correction.

Because of the complexity of the effect, the video clip won’t play back smoothly. Choose File > Export > Render Video to process the file and create a new clip. Be sure to also save a PSD file for future changes. You can double-click the Lens Correction filter in the Layers panel to open the Smart Filter for future edits.

Be sure to check out my two Photoshop books – Photoshop for Video and Understanding Adobe Photoshop CS5.

DSLR Video Podcast Hits #1


Into learning more about shooting DSLR video? It turns out you're not alone. My new podcast, Creative COW's DSLR Video show has rocked the charts.

It's always a good feeling to hit the #1 spot on the charts... especially when its filled with people you admire. Thank you all for your support (and if you haven't checked it out, please go fir it – it's free).

Subscribe for free at the COW –
Subscribe for free on iTunes –

Thanks to Ron Lindeboom at Creative COW for hosting and producing the series.


DSLR Frame Rates – New Episode


In this
DSLR podcast Robbie Carman and Richard Harrington discuss the various frame rates available on today's DSLR Cameras such as the Canon 7D. Learn what rates to use for proper film looks, slow motion and other special effects, PAL or NTSC.

Subscribe for free at the COW –
Subscribe for free on iTunes –


Boston DSLR Wrapup


I had a great time up in Boston recently speaking to the DSLR Meetup group. I met some lovely folks and had a chancee to share a bunch of info about DSLR Pre-Production and Post.

Here is a great writeup on the event –

Here are my slides from the event –
Producing DSLR Shoots


Creative COW DSLR Podcast Launches

Creative COW's DSLR Video podcast brings you video tutorials and training relating to the world of DSLR Cameras. Topics ranging from camera reviews, techniques or discussions and comparisons of various camera models such as Nikon and Canon., home of the Creative Communities of the World, is an online community for media professionals in the film, video, broadcast, effects and animation industry -- a community headed by a team of industry professionals, who are joined by a worldwide community of users whose ideas, feedback and support make the COW's forums, blogs, magazine and podcasts a vital and creative mainstay for motion graphics artists.

Get it at the COW –
Get it on iTunes –


Planet 5D Chat – 12/21

I'll be the guest for a special live chat over at Planet 5D on Monday December 21st. Be sure to head over to the HDSLR chat room. THe fun starts at 8pm EST.


Book Review: “From Still to Motion"

The great blog, Planet 5D has a nice review of our book, From Still to Motion. They had several nice things to say.

"So, the first question is who is this book designed to help? Obviously from the title, it is aimed at a photographer (either pro or semi-pro) who is wanting to learn to make motion pictures. However, this isn’t a ‘movies for dummies’ book. If you don’t know anything about photography in the first place, you should start with a different set of books and come back to this when you understand more. And, everyone has different skill sets and experience so it can be tough to craft a book to help everyone."

They go on to say:

"I think another big advantage of this book is that it was written by a staff of 7 different people – each with their own skills and expertise with making movies. You don’t get the knowledge of just one expert, but seven! It is almost like getting 7 books."

Check out the review in its entirety –

Boston DSLR Meetup Decemeber 9

'll be presenting a new class in Boston on December 9. They've got a great event planned with some awesome prizes:
  • Adobe Creative Suite CS5
  • Drobo Pro
  • Multiple Copies of From Still to Motion
This is a great event (and your chances of winning a great prize are very high).

DSLR Workflows – From Pre-Production to Post
Join Richard Harrington, a Director and Editor as he shares practical workflows for DSLR projects.  Seems a lot of attention gets spent on shooting DSLR video, but there's a lot more to a complete production. Learn essential planning techniques including planning for storage, synchronization, and gear selection. Rich will also demystify post production with a particular emphasis on native editing.  Learn how to transcode less and edit faster (no matter which NLE you choose).  

Rich is a certified instructor for both Apple and Adobe and offers practical advice for DSLR productions at all stages of a project.  Rich will also share thoughts on a modern post workflow including new storage and archival options using Drobo.  Rich is the co-author of "From Still to Motion" as well as numerous other books that have shaped the video industry like "Photoshop for Video," "Video Made on a Mac," and "Final Cut Studio On the Spot."


Chris Fenwick Chat on Monday

A really savvy editor I know will be hosting an online chat this Monday. He has been making the move from Final Cut Pro to Premiere Pro. Chris has lots of opinions... but they are very well informed. Here are the key details:

Chris Fenwick will be our special guest in the planet5D HDSLR chat room on Monday November 29th at 8pm Eastern (02:00 GMT Tuesday). Some of you may know Chris as he has been on the blog before – but he’s recently been cutting some work for Shane Hurlbut, assisting Adobe with teaching folks about moving from Final Cut Pro over to Adobe Premier, and he’s also the co-host on the Digital Convergence podcast on
Chris is an editor and will be coming online to answer any questions you might have ab
out Final Cut Pro, Adobe Premiere or moving from one tool to the other. Chris is a user of both tho is recently advocating for Adobe Premiere because of the ability to edit HDSLR footage without transcoding. He also sent along these videos about switching to Premiere that you might be interested in.


Why Video is a Four-Letter Word to Many Photogs

It turns out that a lot of photographers are getting screwed. Photo buyers are demanding video. Clients are expecting professional photographers to just flip a switch in the camera and start delivering great video. Seems the age-old fallacy is kicking in again, just because the same machine can do several things doesn’t mean the operator can do them all well.

That’s not a dig at photographers. My computer has the capacity to do lots of things that I’d never even attempt (let alone sell to my clients). This view is unrealistic and disrespectful. I find it deeply disappointing that talented individuals are being asked to work under conditions that will lead to failure.

How do you fight unrealistic professional situations? Through client-education and personal development seems to work best. I’ve faced similar problems in the past... desktop publishing, nonlinear video editing, heck... even digital photography. All industries continue. But there needs to be changes and compromise... by both the clients and the working professionals.

I believe that education is the key to an industry evolving. That those looking to embrace a new art (as well as those who fear it) would be able to make their best career decisions through an extensive look at this emerging art. I do not judge those standing on the sidelines; rather, I recommend a deep exploration of the possibilities and opportunities.


Shot Ratio is the Key to Profitability

In video, its important to keep the ratio of how much footage you shoot to how much footage you use as low as possible. This ratio is the biggest influencer on maintaining profit.

More footage means:
  • more storage – Hard drives cost money
  • more time searching – Time spent searching for the right shot costs you money
  • more time loading or transcoding – Even fast machines still take a long while to transcode

I always recommend rehearsing your shot if possible, then firing a few takes. Be sure to cut camera between takes as well so you can have shorter clips. If you're using a slate, hold it up at the start of each shot (then you can clearly see it in the clip thumbnail, which speeds up browsing).

You need to remember time equals money. More time searching means less time editing. More time recorded means more backups and hard drives. Look out for your best interests and you'll see more profitability.

For more on the fusion of photography and video, check out From Still to Motion.


Creating Prints from Video Frames

How do you take a great still photo with your video-enabled DSLR camera? That's easy, shoot in photo mode. You'll get the best quality and even the option of using a raw format. But what happens if you've got the perfect shot, except you're in the middle of recording a video clip? The good news is that you can export stills directly from a piece of video. There's just a few limitations.

Resolution limitations of video

You might be thinking to yourself “Isn't video really low resolution?” Yes, when compared to the native size of photos taken with your DSLR, video pales in comparison. But for many uses, such as web or newspaper, you can get enough pixels out.
Currently the highest resolution you’ll get exporting a still from a piece of video that originated on a DSLR is 1920 x 1080 or approximately 2.1 megapixels. While you aren’t going to make any panoramic prints of those frames you can still find a lot of great uses for them. If printing at 300 ppi, you can extract a frame that is about 6.5 X 3.5 inches.


A Good Video Works Without Picture

Another way of saying this... audio is king! I can’t emphasize enough recording great sound is essential. Invest in a good audio recorder and plug microphones directly into that. A device like a Zoom H4N is a great dedicated audio recorder. Until DSLR camera manufacturers are will to raise the cost of camera bodies to cover real audio inputs (like XLR connections) you’ll still need to go this route.

Syncing up sound is simple if you use a clapboard (a large spike appears on both the camera audio and the synced sound). You can also use tools like
Plural Eyes (available for Final Cut Pro, Sony Vegas, and soon Premiere Pro).

One more important piece of audio advice. Once you’ve edited your video rough cut... close your eyes and just listen to the edit. You should be engaged in the story without the use of visuals or transitions. A good edit works as a solid radio piece... adding pictures and graphics will only make it better.


How to Create a Master File for Video

For many, getting footage into their edit application is the easy part. It's getting the footage out that becomes tricky. While each editing application will all have its own unique steps for exporting a project, the process is pretty standard. Use these steps to create a master file.

  1. Identify the final sequence. This sequence should be what is called "picture-locked" meaning that no additional changes will take place to the sequence.
  2. Make sure that the whole sequence is rendered. Click in the timeline and choose Select All, then render the clips.
  3. Mark and In point at the start of the footage you want, then mark an Out point at the end of the range. For most editing tools, you can use the keyboard shortcuts I and O for In and Out respectively.
  4. Look in the file menu or application menu for an option to export the file. Choose this option.
  5. Export the file using the same high quality settings that you were editing with, meaning the same frame size, frame rate and codec.
  6. Save the file to a location of your choosing, keep in mind that the file you export will be large so choose a location that has enough storage space.

After exporting the file you now have your master file that you can make compressions from, pull stills from or archive.


Free HDSLR Editing Class

More and more Final Cut editors are using Adobe Premiere Pro CS5 to make them more efficient. If you’re wondering if Adobe Premiere Pro is really worth the switch, join Adobe in this four-part web series featuring Final Cut editors and how and why they use Adobe Premiere Pro CS5.
You’ll learn the real story on Adobe Premiere Pro’s Mercury Playback Engine, what it means to edit DSLR footage natively, and how you can remove bottlenecks in your pipeline when working with Adobe After Effects and Photoshop. We’ll follow up the series with a Q&A session so you can get your questions answered.
November 16, 2010, 12-1 PM PST
HDSLR editing in Adobe Premiere Pro with Richard Harrington Join Richard Harrington, author of From Still to Motion, as he shows you why he uses Adobe Premiere Pro CS5 for editing HDSLR footage. Rich will share his post-production techniques and editing strategies in Adobe Premiere Pro for HDSLR color correction, audio syncing, and camera calibration. You'll discover how to harness the professional-quality tools in CS5 Production Premium to natively edit, color correct, mix audio, and publish to the web and Blu-ray Disc. Register on Facebook: 

Premiere Pro and Photoshop CS5 Workflow for DSLR Video

Adobe has reposted my online workshop on how Premiere Pro and Photoshop Extended work together. This is a full 1-hour class and is absolutely free. The original had a few audio issues... this one is totally clean. Enjoy!

In this workshop you'll learn post-production techniques to ensure a smooth edit with your HDSLR footage. Learn strategies for color correction, audio syncing, and lens correction. You'll also discover how to browse, load, and quickly organize your footage for editing. Finally, you'll discover how to harness the professional-quality tools in Adobe Premiere Pro CS5 Photoshop Extended CS5 to natively edit, color correct, and publish video.

This workshop is taught by Richard Harrington, co-author of
From Still to Motion: A photographer's guide to creating video with your DSLR.

Watch it here –


Audio Essentials for DSLR Video

Learn how to shoot better quality video by recording better audio in the field. Discover which microphones, tools, and techniques are best for shooting events or interview footage with your DSLR camera. Find out how to synch your audio and video in Adobe Premiere Pro as well as edit or remove background noise.

Check out the whole series.


Recommended Camera Sliders

There is another handy tool that has showed up in recent years that is a type of mini-dolly. The original camera slider was developed for large movie rigs but has been adapted for smaller cameras like DSLRs. These are very useful for tight spaces where a traditional dolly would not fit.
The sliding rods are made of lightweight materials like carbon fiber, aluminum, or chrome-plated steel. The camera plate will have a bowl adaptor to accommodate your fluid head from your tripod. These sliders travel well, and really can add some production value.

There are several sliders worth checking out:
Kessler Pocket
Pegasus Heavy
Glidetrack SD & HD

Be sure to check out the book,
From Still to Motion


Lighting Essentials for DSLR Video

Learn the essential settings for lighting and exposure when shooting with DSLR cameras. Find out which lighting tools are available and the benefits of three-point lighting, filters and reflectors. You’ll also discover how to fix lighting problems in DSLR footage using Adobe Premiere Pro.

Check out the whole series.


Slides From My Recent DSLR Workshops

As promised, here are several slide decks from recent conferences. So

DV Expo

Motion 10

Be sure to check out the book – 
From Still to Motion


Setting Up The Camera Correctly for DSLR Video

Learn how to setup your camera correctly for the appropriate white balance, color quality, and recording format. You’ll also discover how to get better focus and create more stable shots when shooting video with your DSLR camera. Find out how to review clips, drop clips into the timeline, and adjust levels, saturation or color in Adobe Premiere Pro.

Check out the whole series.

Free Webinar on Using Photoshop and Premiere Pro

Be sure to check out the archive from Ask a CS Pro: Premiere Pro & Photoshop CS5 Extended for DSLR with Richard Harrington

Be sure to skip past the first few minutes (not sure why they didn't trim that stuff out).


HDSLR and Adobe Workflow Slides

As promised... Here are my slides from yesterday's conference in New York city about Adobe and DSLR Video workflow.

Hope they help.

Be sure to check out
From Still to Motion as well as the Facebook page and Creative COW forum.


Discounts for DV Expo and Two Free Passes

Turns out I'l be speaking at this year's DV Expo for
3 days on DSLR Video. I'm very excited to have the chance to share new things.

And in the spirit of sharing... I have two presents for my blog readers.

Here is a secret discount code that will work up to and during the show:

LAFCP10 – worth $50 or 10%

Also... I will be giving away TWO FREE VIP ALL-ACCESS PASSES

How do you win?
  1. Post to your favorite social media outlet about this blog entry –
  2. Post a comment below as to why you need to attend this conference. What would this mean to you, why is it important, etc.

Taxes – if any are yours to pay | This is not a contest of skill | I will draw two winners on 9/23
You must get yourself to Pasadena, CA (I just booked my own flight for $119 each way)


Free Passes to PhotoCine Expo in LA

Want to attend the PhotoCine Expo? I've got 50 free passes to the exhibit floor where you can learn all about the DSLR video revolution that's underway. I'll be there with
Creative COW and teaching a class on creating Timelapse video. The conference is at the Los Angeles Film School on September 25th and 26th 2010.

To get your free pass visit here–
Enter the code
RichardsTix at the bottom of the page and save $15.

Also... check out my class.

Creative Timelapse
Learn how to turn your HDSLR into a timelapse machine.  With the addition of a few simple pieces of equipment, you can capture dynamic action over time.  Even more importantly, you'll learn how to use Adobe Photoshop to develop your files and then assemble them in After Effects.  Richard Harrington is the author of Photoshop for Video and the co-author of From Still to Motion: A photographers guide to creating video with your DSLR.


The Risks of a One-Man Band for Video Crews

If you try to run with a “one-man-band” approach, you’ll likely miss critical action. Be sure to staff appropriately for your shoots.

Thanks to shrinking budgets, we are asked to send out one-person crews all the time. Believe us, we’ve tried it (after all, you can’t say you don’t like Brussels Sprouts if you’ve never eaten them). What we’ve found out is that it’s a terrible idea to shoot alone. So many things can go wrong that if you're by yourself it is impossible to get the job done.

Consider the issues a single-person crew would face:
  • Who will watch the gear if you have to unload and then park?
  • If you do have to fly somewhere for a shoot, excess baggage charges are often more than a second ticket.
  • During the course of a shoot, how will you handle basic biological needs like food and restroom breaks? Walk away and leave your gear unattended and it will likely not be in the same condition when you come back.
  • If you blow a circuit breaker or have talent go missing, the second crew person can resolve the issue.
  • With a one-person crew, if that person gets sick or injured, the shoot is over.

So even if it just means hiring a warm body that’s not going to steal from you, do so. We’ll contact local grip houses, universities, or in a pinch use Craigslist. Spend the $125 and get somebody to be a babysitter of your gear and a gopher for the many needs that arise on set.

Our standard approach is this: We try to use a three-person crew. We send two people from our office and hire one person locally. The local person will usually show up with things like lights and grip gear (which are affordable to rent locally). Our crew shows up with audio and camera equipment, which we know works and we’re familiar with.


Free Digital Video E-books

  • Adobe offers some great primers on video technology. be sure to check these free e-books out.
  • Adobe Digital Video Primer (PDF: 9.8M) Whether you want to understand the differences between analog and digital, how to choose and set up a system that's right for you, or how to prepare and edit your content for delivery in virtually any format, the Adobe Digital Video Primer is a resource you'll use often.
  • Adobe HD Primer (PDF: 1.6M) This primer will help you understand what's involved in making the transition to authoring and distributing high-definition content and how to get the best results out of that transition.
  • Adobe Digital Audio Primer (PDF: 84k) In this primer, we'll introduce the basics of sound so you can work more effectively with Adobe® Audition™ and the rest of your digital audio or video toolkit.
  • Adobe DVD Primer (PDF: 6.3M) This in-depth primer will get you acquainted with DVD technology and teach you how to make your DVD content more dynamic. If you're already creating video productions, it will introduce you to state-of-the-art technologies you can use to repurpose your content for DVD distribution. If you're a beginner you'll find out how you can easily develop and author your own DVDs.
  • Adobe Professional DVD Production with Adobe Encore DVD Primer (PDF: 2.2M) This primer provides background information on the DVD-Video format and explains what makes Adobe Encore® DVD such a powerful application for professional DVD creation.
  • Adobe Streaming Media Primer (PDF: 1019k) The Adobe Streaming Media Primer offers a single comprehensive source for learning everything you ever wanted to know about streaming media — including pitfalls, costs, how-tos, and the basics.
  • Adobe DV Primer for Creative Professionals (PDF: 392k) Thinking about adding video to your repertoire? If you're a graphic designer, web professional, photographer, or other creative professional and you want to start working with video, this Primer is the place to start. You'll learn how video can expand your creative reach, the basics of the technology, and what you'll need to get started.


Great Article on DSLR Video Revolution

  • Just read a great article over at Creative COW called DSLRs A Time Exposure by Robert Primes. It is a great look at why even Hollywood is in love with HDSLR cameras.

At some point in the evolution of today's DSLR, digital replaced film, and low light level photography became astonishingly clear. We saw our world in a whole new way. And then a seemingly innocent event occurred that for some would be the beginning of a whole new style, and for others, would be another nail in the coffin of quality cinematography.

Rather than schlep a real movie camera or camcorder around with your still outfit, wouldn't it be convenient if you could just lock the mirror up and shoot motion synced to audio? Canon added the feature to their marvelous 5D Mark II still camera, almost as an afterthought.

Their normally astute marketers calculated that no more than 3 or 4 percent of users would ever use the feature -- perhaps a few wedding photographers and single-person reporting teams.

Read the whole article here

DSLR Video Quick Canon Links

Forgive the short post... off to go teach a new class at Photoshop World.

Here are a few new Canon links to check out

A better way to convert Canon footage?
New FCP Plugin for Canon?
New Canon Camera –

Canon 7D vs. Barbie Video Girl


I'll be at the IBC Conference

For all the European geeks... I'll be teaching at the IBC conference in Amsterdam September 11 & 12.

  • Producing HDSLR Video Shoots - Essential Planning for Successful Productions
  • Motion Control 3D: Adding Perspective and Movement to Photos
  • Photoshop for Video Professionals
  • Motion Graphics Workflow with Adobe Creative Suite
  • Transcoding and Editing Strategies for HDSLR Post Production

Hope to see you there!


Five More Timelapse Shots

Timelapse Technical Demo from Richard Harrington on Vimeo.

Here are five more shots... I've been experimenting with new techniques. Some subtle and not so subtle things here. Comments welcome.

Learn how to make timelapse clips


Seattle Skyline Timelapse

Nikon D300S
Really Right Stuff L-Bracket and Ballhead
Manfrotto Tripod
Nikkor 50 mm 1.8
Nikon MC-36 Intervalometer

Processed in After Effects (see tutorial)


I'm Coming to Europe to Teach!

I'll be speaking at this year's IBC conference in Amsterdam in September. –

"A 2-day training event in multiple tracks geared for production and post-production professionals in TV, video, film, motion graphics and new media. The conference features the latest advanced tips and techniques in producing, editing and delivering digital content.

Sessions are geared for intermediate to advanced TV, video, film and motion graphics attendees and are focused on digital video production techniques as well as post production using Apple, Avid and Adobe creative software tools.

Sessions are objective and are taught by FMC's world renowned team of Certified Instructors, power users and authors."

Here's the schedule –
Sign up here –

Hope to see some of you there.


Color Grading Footage In Adobe Photoshop Extended

Learn how to adjust the color and exposure of video clips using Adobe Photoshop Extended.

From the book From Still to Motion

Creating Timelapse Movies with a DSLR and After Effects

Creating Timelapse Movies with a DSLR and After Effects from Richard Harrington on Vimeo.

Learn how to create Timelapse movies with your DSLR camera and Adobe After Effects. Join Richard Harrington as he shows you how to create pans and zooms while controlling the speed of the shot as well.

From the book and DVD "From Still to Motion: A photographers guide to creating video with your DSLR."

Photos by Jim Ball


Going to Photoshop World? Take My Pre-Con

I hope you can join me at Photoshop World this Year

I have a great pre-conference session called:

Explore options for creating and working with video from your camera, from practical shooting techniques and essential lighting to easy editing strategies and online sharing.

Instructor: Richard Harrington
Time: 01:00pm-06:00pm
Price: $199

Sign Up Here –

Adobe DSLR Class Archive Online

If you missed the free e-seminar on using Adobe Creative Suite for DSLR video, you can check it out here. We cover Premiere Pro, After Effects, Photoshop, and Bridge. Be sure to check out the part on using Photoshop to color grade video files nondestructively.
I'm also amazed at Premiere Pro's ability to handle native DSLR video with no transcoding or rendering (good stuff!).

We focus a lot on DSLR video, but all video pros and photographers will learn something. You can watch the class here online (give it a minute to load).

Working with DSLR Video with Adobe CS5 Production Premium


New Canon 5D Firmware

Canon has released a new firmware update for the 5D Mark II

This firmware update (Version 2.0.7) incorporates the following improvements and fixes.
  • Fixes a phenomenon in which the aperture exhibits abnormal movement when shooting movies in manual exposure mode and Aperture Priority AE (Av mode) using some Canon lenses (such as macro lenses).
  • Fixes a phenomenon in which the exposure level shown in the LCD panel differs from what is shown in the viewfinder when shooting still images in manual exposure mode.
  • Fixes a phenomenon in which the Wireless File Transmitter (WFT-E4 or WFT-E4 II) may not automatically power off when used for FTP transfers.


Working with DSLR Video with Adobe CS5 Production Premium

I invite you to take my free online class about DSLR video workflow and Adobe CS5.

You can sign up here –

Working with DSLR Video with Adobe CS5 Production Premium
Wednesday, May 26, 201010:00 AM - 11:30 AM US/Pacific
Thanks to their exceptional image quality, low-light capabilities, and the fact that you can shoot using standard 35mm DSLR lenses that give your footage the look of expensive film-based cameras, DSLRs are finding their way into video productions at all levels.

Join Richard Harrington, co-author of From Still to Motion: A photographer's guide to creating video with your DSLR.  He'll explore the options for creating and working with DSLR video in CS5 Production Premium which includes Adobe Photoshop, Adobe Premiere Pro, and Adobe After Effects. You’ll learn everything from practical shooting techniques and essential lighting to easy editing strategies and online sharing.
You’ll also be introduced to the latest Dell Precision workstation and NVIDIA Quadro graphic solutions to help you make the best decision to outfit your editing needs – including taking advantage of the latest performance improving updates in CS5.


Creating Timelapse Movies in After Effects

Richard Harrington, a trainer for Future Media Concepts, shows how to use time-lapse photography to create video clips.


Free Training on DSLR Video

Did you miss the Peachpit Photo Club Webcast? We tackled the topic – Creating Video with your DSLR. If so, here's 90 minutes of free training

Be sure to check out other training on
their site.

Scott Kelby has an archived lesson

Trey Ratcliff has a session June 15


Luke Brindley: We Go Together

Music video from the book "From Still to Motion"

Luke Brindley

Hope you enjoy and check out both the book and Luke's music.


Win a free copy of new book – From Still to Motion

Peachpit press is giving away FIVE copies of the brand new book, From Still to Motion: A photographer's guide to creating video with your DSLR. The contest runs THIS Frida

How to Play
  1. Follow @Peachpit (only followers are eligible). We’ll send a direct message (DM) to the winner, so you must be following us to find out if you won. (If you’re not on Twitter yet, just go to and click the “get started – join!” button.)
  2. Stay tuned on Friday. Throughout the day, we’ll let you know which prize we’re giving away and the number of response you need to be to win. (For example: “#FRIDAYFREEBIES: Autographed copy of A World in HDR! Be the 7th person to tweet to @Peachpit w/hashtag #FridayFreebies to win!”)
  3. To enter, just send a message to @Peachpit with the hashtag #FridayFreebies and include the special key word (revealed in the video) in your tweet.
  4. All followers can win any prize.
  5. The winner will be announced on Twitter once we confirm eligibility.


Peachpit Photo Club Announced

Be sure the check out the Peachpit Photo Club

Don't miss the Peachpit Photo Club. It's held on the third Tuesday of every month, from 8 to 9 p.m. EST (5 to 6 p.m. PST). It's a webcast featuring your favorite digital photographers, such as Scott Kelby, Chase Jarvis, Chris Orwig, Joe McNally, David duChemin, and many more!

The debut Peachpit Photo Club features Scott Kelby on Tuesday, March 16 at 8 p.m. EST! During this live webcast, photographer and bestselling author Scott Kelby will present some of his work, provide you with some insight and inspiration, and answer your burning questions!

Then I'll be up with my co-authors on the new book "From Still to Motion." Join us April 20 8PM EST.

Learn more and sign up at

Organizing Images with Aperture

In this video you’ll learn to rank and sort images in Aperture. You’ll also learn about contact sheets and Web galleries for client review. You can also visit the website in order to download sample files.

Digital Convergence Podcasts for DSLR Filmmakers

I was recently interviewwd about a new book – From Still to Motion: A Photographer's Guide to Creating Video with your DSLR

Episode 6 features Richard Harrington and Robbie Carman, who are two of four of the co-authors of the new book from Peachpit: From Still to Motion.

In this episode, Rich Harrington and Robbie Carman talk about what to expect from their new book. Taking a platform agnostic approach and covering a wide range of budgets, they discuss a broad range of topics including unexpected lessons learned, do-it-yourself lighting, camera support and motion, post-production and color grading, sound, stop-motion and time-lapse and a wealth of other topics. I hated to cut short this conversation - it's our longest episode yet. But it's well worth hearing.

Transcoding with MPEG Streamclip

Learn how to convert your DSLR footage for use in a video editing program. From the new book and DVD – From Still to Motion (Peachpit Press).

Q&A with the Authors of From Still to Motion

Peachpit talks to James Ball, Robbie Carman, Matt Gottshalk, and Richard Harrington about their new book and DVD, From Still to Motion, what photographers struggle with the most when learning video, and how to stay up to date on the latest in the world of video.

Peachpit: What was the motivation behind writing From Still to Motion? Why this topic, and why now?

Authors: We've been thinking about and actively working on the book for more than a year. When we first starting seeing video-enabled DSLR cameras we were excited by their potential. They can be challenging to work with, but have great rewards with incredible visuals.

We decided there needed to be a definitive book and DVD that explored the entire process of using these cameras (from pre-production through delivery), and one that explored both the art and the technology. Camera models and features constantly change, but the process of creating video is relatively constant and we felt there needed to be thorough coverage on how to create video with a DSLR camera. What we've created is an in-depth case study that explores how we used these cameras for six months and all the cool things we learned along the way.

Read the whole interview here

Apple Updates Aperture and Digital Camera Support

I've been quite happy with Aperture 3, but like many of you... I looked forward to the first update to address minor bugs. Well it's here! Apple released two updates: Aperture 3.0.1 which has several bug fixes and a digital camera update to add support for several camera models.

About Aperture 3.0.1
This update improves overall stability and addresses a number of issues in Aperture 3, including:
  • Upgrading libraries from earlier versions of Aperture
  • Importing libraries from iPhoto
  • Importing photos directly from a camera
  • Memory usage when processing heavily-retouched photos
  • Face recognition processing
  • Adding undetected faces using the Add Missing Face button
  • Printing pages containing multiple images
  • Printing photos and contact sheets with borders and metadata
  • Editing photos using an external editor
  • Display of images with Definition and Straighten adjustments applied
  • Zooming photos in the Viewer and in the Loupe using keyboard shortcuts
  • Accessing Aperture libraries on a network volume Selecting and moving pins on the Places map
  • Adding and editing custom locations using the Manage My Places window
  • Switching between masters when working with RAW+JPEG pairs.

The Digital Camera update also added several new cameras to Aperture and iPhoto.
  • Hasselblad H3DII-50
  • Leica M9
  • Leica X1
  • Olympus E-P1
  • Olympus E-P2
  • Panasonic Lumix DMC-GF1
  • Pentax K-7
  • Pentax K-x
  • Sony Alpha DSLR-A500
  • Sony Alpha DSLR-A550
  • Sony Alpha DSLR-A850


Aperture 3 Supports Video

With Aperture 3, Apple has fully embraced video acquired on DSLR cameras. In fact, you can now manage video and audio files as easily as any other image in your library. If you are used to using Aperture as part of your photo editing workflow, you'll find the addition of audio and video support quite welcome.

Importing Video

Video and audio files are added to your library in the same manner as any other image. You can import files directly from a memory card or from a hard drive. It is important to decide where you want to store the files before you import them. Follow these steps to choose a location and import your files:
1. Select a project or album then click the Import Files button in the toolbar.
2. Navigate to the desired files in the File Browser at the bottom of the main window (this can be files that already exist on hard drive or a memory card).

3. Select the check boxes for the desired clips. You can also click the Check All or Uncheck All buttons at the top of the window.

4. In the right column, choose a destination for the files. Specify where you want the files to be located in Aperture:
  • Click a project or folder in the Library pane to target it.
  • Choose New Project from the Destination menu to create a new project to hold the imported items.
5. Specify the media management approach you'd like to use. Click the Store Files menu and choose one of these options:

  • In the Aperture Library moves the files into a managed library. These files can be exported but will be copied to a new location.
  • In their current location leaves the files where they are located. This is the best approach if you've already copied your video files to an editing drive.
  • Your User folder is available (and is labeled with your default name).
  • The Pictures folder in your home directory is another option.
  • Choose lets you specify another location. This option works well when you want to target a specific drive (such as your project's media drive). The Choose option can be used to copy the media from the camera memory to an editing location.
6. Click Imported Checked when you’re ready to add the files to your project. The files are then added to your library.


Want to Learn DSLR Video? Come to Photoshop World.

Just a heads up, I am teaching a Photoshop World pre-conference class on DSLR video. The workshop is March 23 in Orlando, FL.

Here's a short video about the class –
Register today and save! There's only 2 weeks left to save $100 on the Photoshop World Conference

"OK, it’s two weeks and one day, but you get the idea. The $100 early bird registration deadline is coming up, and if you want to join us in Orlando on March 24-26 for the world’s largest Photoshop training event, (and do it on the cheap) you can sign up or just get more details right here (By the way: if you’re a NAPP member, you can get a full conference pass for only $499 using that early bird discount)."


Aperture 3 Announced – New Training on Way

Hi all... happy news in the Aperture 3 was just announced and shipped. This is not a full review (I am slammed with Macworld and finishing up a book for print). But I couldn't resist playing with the new version and look forward to jumping in.

Here are my top 10 reasons to upgrade for current users. More details soon...

  1. Better Filmstrip and Fullscreen View – It's much easier to work with your images and really get at the details.
  2. Backup on Import – Have your media go to two drives at once. This is HUGE.
  3. Places – Yes it's in iPhoto... but now that GPS tag makes it so much easier to sort by location. I also use this as a tool for site surveys and planning from shoot scouts.
  4. Faces – Again... was in iPhoto last year, but I'll take it. Facial recognition to organize your library. This is great for finding pictures of one subject. It's freaky good too.
  5. Focus Points – Actually see where the camera used points to auto focus. This is very useful for evaluating sharpness.
  6. Search on Steroids – Okay, that's not its actual name. But it's amazing... you can sort by usage, face, place, time, file type, all sorts of things. Literally search by Who, Where, When... I'm still waiting on Why.
  7. Nondestructive Brushes with Edge Detection – Easily cleanup images with all sorts of spot adjustments. Completely nondestructive and editable, including the ability to view the selections mask and tweak it at any time. Oh... and they work with Wacom tablets too. The skin smoothing brush is dreamy good.
  8. Curves! – 'nuff said.
  9. Adjustment Presets – Useful starting points or make your own. Can even apply them upon import to batch fix problems.
  10. Video – You can organize it, trim it, media manage it, drag it into Final Cut Pro, export out versions, use it in new slideshows. Uh huh... that's right... video.

You can see a detailed list of all 200 features here –

I am working on two new DVDs and video titles for
Kelby Training – tell them you want more!

Also, be sure to check out the great site –


Vote for a Cover – DSLR Video Book

I need your help... Vote on which cover you like the best for my new book.

These are just rough designs (not final covers) but I want your vote!


Shot Types –The Language of Cinema

When shooting a scene, you'll typically favor getting multiple shots. This process is referred to as getting coverage. Just as a single photo can say so much, combining multiple angles together can tell the story better (letting you show interesting details or emotions). This process is important because it allows for more flexibility in editing. You can choose to condense, action, cover mistakes, or even direct the viewer's attention with a variety of shot types. These shots have a language of their own. Knowing the most common shot types lets crew members talk to each other.

Wide Shot (WS) – A wide shot (also called an establishing shot) is useful to show the entire subject. With a person, this usually means seeing from the top of their heads to the bottom of their feet.


Stay on Target – Camera Calibration

Mixed lighting makes it tough to get accurate color.

Whenever we move a camera, change lighting, or switch scenes, a reference card or target is called for. It should have pure black, pure white, and middle grey on it. This will make it easier to color correct your footage during postproduction. Using a reference target on set allows you to move at a faster pace without fear.

Some Recent news in the DSLR Video World

Here are a collection of short posts I wanted to share.

  • You'll find out lots of news about DSLR Video and the new book over on Facebook
  • Check out From Still to Motion


A Few Shots from New Music Video Project

Shooting video with a macro lens is fantastic! Can focus super close and have a super shallow depth of field. Here are just a few of the dozens of shots we got last night using Canon 100mm 2.8 Macro

See the video in HD here –

Have You Joined "From Still to Motion" Yet?

As a part of our new book "From Still to Motion – A photographer's guide to creating video with your DSLR" we've created a new Facebook page.

Over at Facebook you can connect with other users... exchange ideas... share resources!

Here's a sampling of recent stories.

  • Zacuto custom rig for Panavision + Canon 7D setup
  • Photoshop World adds a new DSLR video workshop
  • HDMI capture of live stream for Canon 7D
  • Almost everything you need to know about aliasing in DSLR video
  • Canon 7D Test - Greenscreen

Join us and share your ideas for the book and footage tests.

© 2010 Richard Harrington LLC